MMIPO

Santa Casa da Misericórdia do Porto Benefactress

Ourivesaria

Great Benefactor.

Coleção de Ourivesaria

Painting that represents one of the most important benefactors of Misericórdia do Porto.

Benfeitor

Coleção de têxteis

Misericórdia do Porto Benefactress

Coleção de têxteis

Benfeitora da Misericórdia do Porto

Coleção de Pintura

O liberal combativo e o católico militante

O liberal combativo e o católico militante

Irmão e Voluntário da Misericórdia do Porto

Coleção de Pintura

Coleção de Pintura

Benfeitora

Proprietária, capitalista e benfeitora da Misericórdia do Porto

Benfeitor

Baronesa de Nova Sintra - Albina Augusta de Araújo

Benfeitor

Benfeitor

Benfeitor

Provedor da Misericórdia do Porto

Provedor da Misericórdia do Porto

Romantic painting that depicts a bourgeois family of Porto

The painting documents expressively the overlap between the spheres of the sacred and the realistic everyday, which characterized the Flemish painting of this era.

The painting documents expressively the overlap between the spheres of the sacred and the realistic everyday, which characterized the Flemish painting of this era.

The painting documents expressively the overlap between the spheres of the sacred and the realistic everyday, which characterized the Flemish painting of this era.

António Alves Cálem Júnior: o homem por trás do Provedor

A baroque sculpture of probable French or German origin.

There are two Nasoni drawings for the frontispiece of Misericórdia Church, which present different solutions.

Sixteenth-century Codex from Historical Archives of the Misericórdia do Porto.

One of the largest works of Flemish painting, the Fons Vitae stands as a testament to the strength of the city and of its connections to Northern Europe in the 16th century.